Jonathan Larson's "Rent" May Quite Possibly Be the Best Musical of All Time

My obsessions usually fade to casual liking within a few months, but not with Rent. I first watched the movie version over a year ago and I still listen to the soundtrack nonstop when I need to get pumped up, which is pretty much every day. "La Vie Boheme" always makes me smile, "I'll Cover You - Reprise" always makes me cry, and I don't even know what "Over the Moon" makes me feel, but I know it's a wonderful roller coaster of emotions.

Every single song in it is my favorite, except maybe "You'll See," but whatever. The music gives off a pretty '80s/'90s vibe (which makes sense since it begins December 24th, 1989) but also seems pretty Broadway at the same time. The lyrics have some real substance to them, and you'll probably notice something new every time you watch it. You'll be inspired by the story and think about the meaning for weeks after you first watch it. But the sad part is that the writer/creator, Jonathan Larson, died the day of the official opening production.

Not only are the book, music, and lyrics extremely well-written, but it also features the most diverse cast of characters that I've ever seen in any mainstream media (does Rent qualify as mainstream???). With seven main protagonists and an antagonist, they accurately represent the people under the poverty level in New York City and debunk the idea that media with a diverse cast doesn't get popular. Rent was one of the longest-running musicals on Broadway, closing under 12 years of productions. Who says diverse can't be amazing??

Roger Davis is a recovering drug addict and musician/songwriter, who can't seem to be able to write one last song. He lives with Mark Cohen, a Jewish filmmaker who wants to show the world what it's actually like to be homeless in New York. Their friend Tom Collins is a gay black man who teaches philosophy at MIT. He meets and falls in love with Angel Dumott-Schunard, a street drummer whose gender we are never told explicitly. We know that she goes by she/her pronouns, but we are left to are own interpretation of her gender. She could be a trans girl or genderfluid, but either way she's important representation for the transgender community. Angel is friends with Mimi Marquez, a lighthearted Latina stripper whom Roger tries to help get off drugs. Maureen Johnson is a bisexual activist who dumped Mark offscreen, but is now dating Joanne Jefferson. Joanne is a black lesbian lawyer who, in my opinion, doesn't get enough credit. She's soooo cute and always KILLS that first solo in "Seasons of Love." The antagonist is Benny. He used to be cool, but then he married a rich lady and now wants to evict the homeless from the area.

EVERYONE IS MY BAE!!! except benny. he sucks
image courtesy crafthubs

Four of the characters have AIDS, and the musical depicts their struggles and how they get through them. I just wish that everything was as awesome as Rent is. That would make life a whole lot better. The movie version is on Netflix and you can watch the pro-shot 2008 cast recording on YouTube. Go! Tell your friends! Make the world a better place by watching Rent!

Life Lessons from Sondheim's Into the Woods

(Major Into the Woods spoiler alert for this post.) The second time I saw the Into the Woods movie I was with my friend Courtney and we went to her house after but her sister was there. After finding out what movie we'd seen, she replied by saying to us, "Oh, that movie was so stupid. There wasn't even any morals." I am here to PROVE HER WRONG!! There are too many life lessons to count from that musical. Here are just a few:

1. Be careful what you wish for. 
This musical is so well-written and it has so much symbolism. Stephen Sondheim is absolutely brilliant for the connections he makes between multiple parts of his musicals. At the end of Act I it seems like everyone's gotten their wish and that there's gonna be a happy ending, but then everything falls to pieces. Jack's mother got the riches that she wished for from the giants, but she ended up getting killed because of the giants going after who stole from them.

2. What you wish isn't always what you want.
Cinderella realized this after going to the festival. Her wish was to dance with the prince, but all she could say afterwards was that it "made a nice change." She wasn't sure if she'd enjoyed the time being there and she ended up having a bad relationship with the prince. She wished to go to the festival, but she didn't want the outcome that came with it.

the movie adaptation had a few flaws, but I have to say it was put together very beautifully
image courtesy Music Theatre International

3. "Nice is different than good."
Here's another lesson that Cinderella had to learn from getting to know the prince. He was a "very nice prince," but he was really just one of those "nice guys" who thinks that just because he was nice to a girl she's automatically obligated to go out with him. He was sensitive, clever, well-mannered, considerate, passionate, charming, kind and handsome, but he wasn't good. The character who actually says these words is Red after the wolf eats her. He too, was nice and polite to Red, but his intentions were never good.

4. Sometimes you have to get a new perspective in order to have new experiences. 
It's only when Jack sees his world from the perspective of a giant that he realizes how wonderful it already was. After gaining a new perspective, he was "back again, only different than before." This also applies to Red, because even though the wolf wasn't trying to do any good, he showed her things, "many beautiful things, that [she] hadn't thought to explore." By leading her away from it, the wolf showed Red things that she never would have experienced if she hadn't strayed off the path.

5. Children will listen.
The witch starts out by singing, "Children should listen," then progresses to, "Children won't listen," and finally, "Children will listen." At first she wants Rapunzel to do what she wants her to, then gets frustrated because Rapunzel never does what she wants her to do, then realizes that everything she's ever said and done has stuck in Rapunzel's mind and influenced her. This teaches us that we need to be careful about what we say around little kids because they will take note of everything we do.

6. There is hardly ever a compromise for big decisions.  
During "Moments in the Woods" after the baker's wife kisses the prince, she sings, "Is it always 'or,' is it never 'and?'" She wishes she could have both a life with the prince and a life with the baker, but she can't. This applies not only to her, but also to Cinderella and Jack. Cinderella attempted to not choose whether she stays and gets captured by the prince or if she runs away again. She let the prince choose for her, and we all know how that turned out. Jack also sings that he wished he could live in between a life with the giants and a life at home. When the two worlds collided, everything was chaos and his mother got killed.

I'm sure there are many more, but that's all I can think of right now. If you think of some, feel free to discuss in the comments!

Sexism in SuperWhoLock-- Sherlock

Time for the final part of my Sexism in SuperWhoLock series!! Who else is dying for Sherlock season 4 to start filming?? I know I am, but today we're gonna take a look at the female characters in the show and how they're treated. Molly, Mrs. Hudson, Sally, and Irene are all the four main ones so far (there's also Mary, but I didn't get to talking about her because her main issue is the way the fans treat her). That's about the same amount as the male characters, but for some reason the only episode that passes the Bechdel test is A Scandal in Belgravia (at least I think), and that episode has issues of its own, but I'll get to that later. Probably because of Steven Moffat's attitude towards women.

Molly is so cute. I love her so much I can't even stand it. But she's constantly treated horribly by Sherlock and the writing in general. She is portrayed as weak just because she has feelings for Sherlock, but she continues to have a crush on him and do things for him and be submissive, even though he's pretty gross to her. Look, a harmful stereotype. A sweet, innocent, "weak" woman whose sole purpose in life is serve the man WHO IS ABUSIVE TO HER!! Sigh. The only time we were ever told of any part of her life outside of Sherlock was when she dated Jim, and we can only imagine how that went.

look at this beautiful loser <33
image courtesy Spylight

The best-treated female character on the show is probably Mrs. Hudson, but the problem with her is that her character isn't very well-developed. Yeah, we know she used to run a drug cartel with her husband and work as an exotic dancer, but her part is pretty small and most of what she does is just to enhance Sherlock's character development. The boys are pretty disrespectful of her, too, and she doesn't seem to enforce the fact that she doesn't like that. We almost got a little depth from her when she was keeping the information hidden from the guys who beat her up, but that ended up just being a scene to show that Sherlock actually can have empathy and a soft spot for a mother figure.

a small flicker of character development
image courtesy of Modify Lifestyle

Why does the entire Sherlock fanbase hate Sally Donovan? The world may never know. She honestly didn't do anything wrong, besides not liking Sherlock, which, in my opinion, is completely understandable. He's a jerk and he slut-shamed her within the first 20 minutes of the first episode. She also happens to be the only recurring character who's a person of color. Pretty much the only other one ever who wasn't written in a super racist way was Bainbridge in the Sign of Three (played by my bABY ALFIE ENOCH).

the one true queen
image courtesy Sherlock Wikia

Oh, Irene. How you fit perfectly with the male gaze. I'm sorry, but the Irene in Elementary is so much better, not to mention the fact that she's played by goddess Natalie Dormer. There are so many problems with Sherlock's rendition, the first being that she was canonically a LESBIAN until they HAD to throw in her falling in love with Sherlock, because, you know, every gay woman is just waiting for the right man to come along and straighten her out, right? Wrong. That's gross. She's also dressed in skimpy outfits the whole time probably just to appeal to the straight male viewers of the show. Thanks a lot for only thinking of your own kind, Moffat.

this is one of the few pictures I could find where she was actually wearing clothes
image courtesy KristinKoga

And that concludes the series!! I hope you enjoyed it. If you'd like me to do anything else like this, tell me in the comments and I'll get right on it. 

How to Act When You're Watching Live Theatre

I love me a good musical. But when SOMEONE in the theatre is being RUDE it ruins the ENTIRE SHOW for the audience AND the performer. So please don't be that guy. Please. No one likes that guy. Here's how to not be a public nuisance:

1) Before the Show
Arrive early, but don't act like your life depends on being the first one to your seat. The doors open at the same time for everyone, you're no more special than they are. Also, be nice to the people at the door and the people selling merchandise. All they're doing is trying to make your experience better, so show a little gratitude and thank them. If you have to climb over a few people to get to your seat, try not to cause too much of a disturbance. I know, sometimes you can't help it, but at least alert the people you're climbing over when you're coming.

2) During the Show
As soon as the lights start to go out, TURN OFF YOUR FREAKING CELL PHONE!! I would say that it would also be okay to just put it on silent, but to be honest, it really just needs to be turned off and put away where no one can see it. You can't use it during the performance, so why not just turn it off?? Speaking of that, listen to the announcers and absolutely do not use your phone, especially for flash photography. Everyone can see the little light if you're scrolling through facebook in a dark theatre, and it distracts and disorients the performers if you're taking flash pictures all through their number. Patti Lupone even stopped Gypsy just to tell a guy off after he kept taking flash pictures and making her trip. You really don't want that to happen to you. And to be honest, why would you do that anyway? You just paid a crap ton of money on seats to see a live play, and you're wasting it just to be looking at a little screen you could be looking at any other time of the day? I really don't understand.

Don't talk while the show's going on.  A little "Oh, I love this song!" to your friend is fine, but please don't be having excessive conversations with the people around you. This might be a little hard, but you really shouldn't sing along to any musical numbers, either, unless you're specifically instructed to do so. If you really can't resist, lip sync, but people came to the show to listen to the performers, not you. Your time will come.

3) After the Show
Never. EVER. EVER LEAVE DURING BOWS!! I don't care one bit if you want to get to the stagedoor or your car fast, applaud the performers and show your appreciation until the curtain goes down. Even then, be polite just like you were when walking in. Don't trample anyone, just leave with the crowd. If you're going to stagedoor, don't worry. The performers still have to gather up their stuff to leave and even if they beat you out of the theatre they'll still probably be signing autographs when you get there.

Now it's time for a little stagedoor etiquette. Always remember to treat the performers like what they are: people. Be respectful and tell them what a good job they did. It's fine to ask for an autograph and a picture, just be polite about it. They're probably very grateful that you came to see them and they'll be happy to sign your playbill.

preach, carrie

Thanks. It's important for you to have fun, but you also have to make sure you don't ruin the experiences of others. Have a nice day!!

Pointe Shoe Prep: Breaking them In

Even after your ribbons have been sewn, they're still not ready to dance in because of the stiffness of the shoe. Before you can dance comfortably in them, you need to take steps to break them in and form them to your feet.

You will need:
-Pointe shoes with the ribbons and elastics already tied on
-A sturdy door
-A hammer or a hard surface
-Scissors

1) First, you need to smash/flatten the box of the shoe. This can be done in multiple ways, but I like to use all three to get the best results. To start, place the shoes on the floor and stand with your heel on the box. Alternate between putting all of your weight on your standing foot and the heel on top of the shoe.

2) Place the box of the shoe between a sturdy door and its frame. It is very important that this is a strong door, because the shoe could potentially break the door if you push too hard. Move the door back and and forth a few times until the box is adequately flattened.

sorry for the gross lighting

3) The last step to flatten the box is to either hit it really hard with a hammer or whack it against a hard surface like a granite table. As a ballerina, I find this the perfect time to get my anger out without hurting anyone and in a way that actually benefits me.

4) Next you'll need to form your arch. Like you did with the box, place the point where the arch of your foot is (where your ribbons should be sewn) in between a sturdy door and its frame, and move the door back and forth until the arch of your shoe can be easily bent with your hands.

okay, I've already broken in and worn these, but how else
am I supposed to show you what to do?

5) Bend the arch a little bit more in the same place, but move it both ways back and forth with your hands this time. 

6) Put on and tie your shoes, making sure that the drawstrings are hanging out. Flex your toes and pull on the drawstrings until there's very little room between your feet and the sides of the shoes. Tie the drawstrings in a knot and cut them so that the tails are only about one inch and tuck them into your shoes. 

7) Here's a little extra thing you can do at home or when you're stretching during class to stretch both the arch of your foot and the arch of your shoe: get on your knees and sit on your heels. Put your hands behind you and lift up your butt and your knees so that your weight is on your hands and on the fronts of your toes. NEVER do this when you're not in pointe shoes, you could seriously injure your feet without the extra support from the box. 

hopefully you can see what I'm doing with these fabulous pants in the way

8) Keeping your shoes on, the last thing you'll need to do is walk around on as high of half-toe as possible. This might be uncomfortable at first, but keep doing it until it gets slightly more comfortable. Take off your shoes and do the same thing you did with the arch: bend the half-toe area with your hands back and forth both ways.

You can repeat these steps at any time in your pointe shoes' life if you think a certain part needs adjusting. For more information on pointe shoes, a great book with lots of information is To the Pointe. Some of the information is outdated, like the method for finding the place to tie the ribbons, but a lot of it was really helpful to me when I first started pointe. 

Comment if you'd like me to make anymore posts with pointe shoe information and tutorials!! 

Sexism In SuperWhoLock-- Doctor Who

I hate Steven Moffat. Not just because he kills all my favorite characters (although that does play a big part in it), but because he's really sexist and annoying. His male characters are interesting with complicated backstories, but his women are perfect and sometimes treated like objects. The male historical figures that he's written into the show (Winston Churchill, Vincent Van Gogh) have all been treated as interesting, complex characters with important roles in the universe. All of his female historical figures (Queen Nefertiti, Madame De Pompadour, Queen Elizabeth I. Madame de Pompadour was in the Russell T. Davies area, but the episode she was in was written by Moffat.), while awesome, have been treated as two-dimensional women acting as little more than love interests for the Doctor.

Exhibit A
Image courtesy of Screenrant

There are lots of things I enjoy about Peter Capaldi's doctor; he's different, more serious, a little bit edgy, and to-the-point. But what I really don't like about him is the way he treats Clara. He insults her appearance frequently, calling her fat in at least half of his episodes. And another thing: most of this isn't Moffat's doing, but don't you find it a little strange that time lords can change their entire appearance when they regenerate, but the Doctor has always been played by a white man? Now that the master is a woman and we've found out for sure that time lords can switch sexes, there's no excuse to not make the next regeneration of the Doctor a woman. Russell T. Davies treated his female characters a lot better than Moffat, sexualizing them less and having more developed stories for them (Agatha Christie, Queen Victoria).

There have been about three major characters who are people of color in New Who (Mickey, Martha, and Danny), and every single one of them has been black. The thing is, nobody seems to remember Mickey, everyone hates Martha for some reason, and Danny got killed off after about 5 episodes. The way the episode Turn Left treated the Asian character was pretty dang racist, and the two main black characters in the Russell T. Davies era were married off to each other (Martha and Mickey), despite having no previous connection to each other besides the Doctor.

Another thing that RTD wasn't much better than Moffat as was queer representation. He had slightly more canon characters, but they still weren't treated very well. There was that one couple of two old ladies in Gridlock, but they were only in one episode. And of course we have Capt. Jack Harkness who is a super rad character, but he fulfills that bisexual stereotype of flirting with everyone, which is harmful in that it promotes a false stereotype. The only queer representation we've gotten with Moffat is Jenny and Vastra, which is a little, um... weird. Vastra isn't human, first of all, which kind of reduces a lesbian relationship to something that isn't normal. The way it's portrayed also gives off a pretty abusive vibe. Vastra usually acts dominant over Jenny and orders her around in everyday life, and this is heteronormative because it perpetuates the idea that in a queer relationship one person has to be more "masculine," and the other must be more "feminine." Jenny always calls Vastra "ma'am" and has referred to her as her master on multiple occasions.

Despite RTD's flaws, I still like him a lot better than Moffat because I believe that he would have progressed with these issues over time, compared to Moffat laughing it off and making rude remarks and invalid excuses when someone calls him out on his crap. I just really want Doctor Who to get a new showrunner. Although I enjoy some of Moffat's writing, I think the show would really benefit from a new head honcho.

I get all of my Doctor Who statistics and stuff from Who-ology, which is a really great objective look at trivia from all 50 years of Who.

Pointe Shoe Prep: Sewing

Yeah, I know this isn't really related to what I usually post, but nerds can do ballet too, right? Anyway, I've tried lots of different methods of sewing/breaking in my pointe shoes, but this is what I've found works best for me.

Materials:

wow nice photography skills jayda

-a new pair of pointe shoes
-3/4 inch grosgain ribbon to match the color of your shoes (mine look all wrinkly because I recycled them from my last pair)
-3/4 inch pink elastic
-light pink/cream thread
-a sewing needle
-a pen
-matches or a lighter
-scissors (fabric scissors work best but I couldn't find mine so I used these scary looking ones)

What to do:
1) The purpose of your ribbons is to support your arch while you're dancing, so you want them to be sewn right where your arches are. Find this place by putting on your shoe with your ribbon underneath your foot. Pull on each ribbon until you've found the highest point of your arch.

the ribbon is at the highest point of my arch

Mark each side of the ribbons on the drawstring casing with your pen. This is where they will be sewn in later. Then mark an "R" on the bottom of your shoe if you used your right foot, and an "L" if you used your left foot.

2) Now cut your ribbons into four equal lengths if they aren't already. If you want to insert elastic into some or all of them, do that now. My ribbons have elastics pre-sewn into them; you can buy those here.

3) Fold up one of the ribbons about 3/4 of an inch twice to enclose the raw edge.

folded over twice

4) Line up the top folded edge with the bottom of the drawstring casing, the folded side facing the canvas. Starting on the inside of the shoe on one edge of the ribbon, make a whipstich around the drawstring casing.

inside view

outside view

5) Once you reach the other side of the ribbon, sew a running stitch around the rest of the edges, making sure to only go through the canvas layers and not the satin on the outside. This may take a few tries, but it looks really nice if there is no thread on the outside of the shoe.

your needle should look like this when making the stitches

Go all the way around the edge, and finish with a French knot (pull the needle under a stitch you already made and back through the loop).

this is what it should look like when you're finished

Repeat steps 3-5 on the other side of the shoe.

6) You can either sew your elastics on the outside of the shoe at the back near the seam, or on the inside of the shoe in between the side seams and the back seams. I like to put them on the back at the outside because the other place tends to give me blisters. Put on your shoe and hold one end of the elastic where you want to sew it. Stretch it across your foot and cut it at the other side.

7) To sew on the elastics, I usually just use the same whipstitch method that I use for the ribbons, but without the running stitch around the edge. This is usually strong enough for me. Again, finish with a French knot.

this is the back seam of the shoe, by the way

Repeat with the other end of the elastic.

nice

8) Now put on your shoe and tie your ribbons on the INSIDE of your ankle. Cut the loose ends so that there's about 1 1/2-2 inches of excess ribbon outside of the knot.

aren't they so pretty???

9) Take off the shoe and burn the ends of the ribbons.

Repeat steps 3-9 on the other shoe, and they're halfway ready to use! I'll be making a post on how to break them in soon. See ya later!